HIALEAH, FL—Despite ready access to an almost inexhaustible archive of exceptional movies, television shows, and print literature, local dad Brett Colston declared Friday that his favorite piece of media was a commercial from 2005. “I’m not sure if it was a Super Bowl ad originally, but you guys have to see it if I can dig it up,” said Colston, bypassing millennia of collective human creativity to enter the keywords “talking horse,” “commercial,” and “Jessica Alba” into a YouTube search bar as his family indifferently looked on. “Where the hell is it? I can’t believe it’s not coming up immediately. Okay, I think the ad was maybe for a truck or SUV or something. You guys really have no idea what I’m talking about? Man, it’s so hilarious. You’ll know it instantly when I find it, trust me.” At press time, Colston, who could have been watching cinematic masterpiece The Godfather, was reportedly still searching for his commercial by working his way through a three-hour compilation of the best ads of the 2000s.
The post Dad’s Favorite Piece Of Media Still Commercial From 2005 appeared first on The Onion.
HIALEAH, FL—Despite ready access to an almost inexhaustible archive of exceptional movies, television shows, and print literature, local dad Brett Colston declared Friday that his favorite piece of media was a commercial from 2005. “I’m not sure if it was a Super Bowl ad originally, but you guys have to see it if I can
The post Dad’s Favorite Piece Of Media Still Commercial From 2005 appeared first on The Onion. Read More
Finn McFrame, celebrated satirical mastermind and self-proclaimed “Emperor of Irony,” started his illustrious career as a cinematographer, where his expertise in capturing every single frame of a squirrel stealing a baguette earned him accolades at obscure film festivals.
Born in the glamorous town of Boring, Oregon, Finn grew up with dreams of being a Hollywood director until he realized that satire, not cinema, was his true calling—or at least the one that let him sleep until noon.
Finn McFrame: changing the world, one satirical lens flare at a time.
