Weezer have spent enough of the last three decades shape-shifting that every new album arrives with somebody announcing they’ve finally “returned to form.” With The Gold Album, their 20th studio record, bassist Scott Shriner and drummer Patrick Wilson tell Kyle Meredith that the difference is less about chasing The Blue Album than remembering what happens when Weezer actually behaves like a band. After years of sessions built around demos, isolated parts, and tightly managed studio time, the four members started sitting together in an Orange County living room, throwing around riffs, lyrics, complaints, and whatever else might turn into a song. The result is a record with the thick guitars and live-wire punch people associate with classic Weezer, even though nobody entered the room trying to recreate 1994.
Return to Form
Weezer have spent years ricocheting between orchestral pop, synths, crunchy guitars, and conceptual detours, and maybe that’s the real return to form: not a particular sound, but four people reacting to one another in a room. Wilson traces some of that renewed chemistry back to an unlikely source: the band’s still-mysterious film project, where scenes were built around the members reacting naturally to each other.
Musical Chemistry
Shriner says the process finally gave him and Wilson the chance to become the rhythm section he’d imagined when he first joined Weezer. “Lately, we’ve been communicating and coming together and really playing like a kind of rhythm section that I have always wanted us to be,” he says. “We finally got our fucking mission statement together. Let’s just work together.”
Recording Process
Wilson bristles at records where everything is snapped to a grid, tuned, and scrubbed of personality. “Everything is perfect, right? But it’s incorrect. It sucks, and I don’t ever want to make a record like that again,” he says, describing The Gold Album instead as bombastic without becoming messy.
Upcoming Tour
Listen to Weezer’s Scott Shriner and Patrick Wilson talk about The Gold Album, their renewed musical chemistry, the band’s mysterious movie project, “Weezer: The Gathering Tour” (get tickets here), and more in the new episode above or by watching the video below. Keep up on all the latest episodes by following Kyle Meredith With… on your favorite podcast platform; plus, check out all the series on the Consequence Podcast Network.
In conclusion, Weezer’s The Gold Album marks a return to form for the band, not in the sense that they’re trying to recreate their past sound, but in the sense that they’re behaving like a band again. With their renewed musical chemistry and a more collaborative approach to recording, Weezer is back and better than ever. Be sure to check out their upcoming tour and new album, and follow Kyle Meredith With… for all the latest updates and interviews with your favorite artists.
Pixel P. Snarkbyte, widely regarded as the “Shakespeare of Sh*tposts,” is a video game expert with a unique knack for turning pixels into punchlines.
Born in the small town of Respawn, Pennsylvania, Pixel grew up mashing buttons on an ancient NES controller, firmly believing that “blowing into the cartridge” was a sacred ritual passed down through generations.
Pixel P. Snarkbyte: proving that life, much like a buggy open-world game, is better with a little lag-induced chaos.
