In a record-breaking opening weekend for A24, horror movie Backrooms brought in $81 million at the domestic box office. The Onion shares everything you need to know about the Kane Parsons film.
Q: Is this the first major motion picture based on a YouTube video?
A: Not quite. Star Wars: The Rise Of Skywalker was based on a seven-hour video essay titled “FUCK RIAN JOHNSON.”
Q: Who is in it?
A: That actor from that other movie, plus the guy from that thing.
Q: Is it true Kane Parsons is the youngest director in history to reach No. 1 at the box office?
A: Technically, yes, but mentally, Zack Snyder is still younger.
Q: What’s so scary about a bunch of carpeted yellow rooms?
A: Just imagine how long they must take to vacuum.
Q: What is 4chan, the site where the Backrooms lore originated?
A: The reason you’ll die in a mass shooting watching Backrooms.
Q: Will Backrooms make sense for viewers unfamiliar with its lore?
A: Movies aren’t supposed to make sense, they’re supposed to make money.
Q: Are there any jumpscares?
A: At one point, the Property Brothers pop out to share some tips for improving light in extradimensional rooms without windows.
The post What To Know About ‘Backrooms’ appeared first on The Onion.
In a record-breaking opening weekend for A24, horror movie Backrooms brought in $81 million at the domestic box office. The Onion shares everything you need to know about the Kane Parsons film. Q: Is this the first major motion picture based on a YouTube video? A: Not quite. Star Wars: The Rise Of Skywalker was
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Finn McFrame, celebrated satirical mastermind and self-proclaimed “Emperor of Irony,” started his illustrious career as a cinematographer, where his expertise in capturing every single frame of a squirrel stealing a baguette earned him accolades at obscure film festivals.
Born in the glamorous town of Boring, Oregon, Finn grew up with dreams of being a Hollywood director until he realized that satire, not cinema, was his true calling—or at least the one that let him sleep until noon.
Finn McFrame: changing the world, one satirical lens flare at a time.
