Oh look, it’s KREATOR, the German thrash metal institution that refuses to die since the ’80s! Mille Petrozza just dropped some juicy details about their new album “Krushers Of The World”, which is apparently so fresh it still has the price tag on it. The band recorded this masterpiece at Fascination Street Studios in Sweden with Jens Bogren, who apparently didn’t get the memo that KREATOR should sound like they’re trapped in 1986 forever.
According to Mille, he started writing demos in 2024 and finished them in April 2025, which is apparently revolutionary timing in the metal world. He specifically didn’t want to make the same mistake as their previous album “Hate Ãœber Alles”, where they apparently had to stare at their songs for a year during the pandemic like sad metal puppies waiting to be released. “I wanted to keep it fresh,” Mille said, as if keeping metal fresh is some kind of crime against humanity that old-school fans need to be protected from.
The album apparently isn’t just straight-up thrash metal, which has caused several monocles to drop across the metal community. Mille had the audacity to say he loves “all kinds of metal” and even “all kinds of music.” How dare he! Next thing you know, he’ll be admitting he listens to ABBA between recording sessions. He basically said that doing an entire album of thrash metal would be “underwhelming” and make him bored, which is probably the most metal thing he could have said. Nothing says “metal” like admitting you’d be bored playing the same thing over and over!
He also had some thoughts about fans who want their favorite bands to sound exactly like they did in the ’80s. “I get it from an emotional point of view,” he said, basically explaining that nostalgia is nice but you can’t actually go back in time and un-invent the internet. He even admitted that when he sees FIELDS OF THE NEPHILIM or THE SISTERS OF MERCY, he wants to hear the old songs, but he’s also open to new material. What a revolutionary concept! Enjoying both old and new music? Groundbreaking!
The singles released so far include “Seven Serpents”, “Tränenpalast” (which features a guest vocalist from HIRAES, because apparently KREATOR needed more screaming), and “Satanic Anarchy”, which sounds like what happens when you let toddlers name metal songs after they’ve eaten too much sugar.
KREATOR is also touring extensively because apparently they enjoy traveling and playing music for people who actually appreciate evolution in art. They’re doing a massive European tour with CARCASS, EXODUS, and NAILS, which is basically a who’s who of “bands your dad probably headbanged to.” Then they’re hitting the US for festivals like Welcome To Rockville and Sonic Temple, because nothing says “keeping it fresh” like playing the same festival circuit every band has played since 1992.
Oh, and Mille also released his German-language autobiography “Your Heaven, My Hell”, which is probably just 300 pages of him explaining why he refuses to make Endless Pain sixteen times in a row. The documentary “Hate & Hope” was also released, presumably featuring dramatic scenes of Mille fighting against the tyranny of musical stagnation.
So there you have it, folks! KREATOR is back with their revolutionary concept of… making music that sounds like KREATOR but isn’t exactly the same as their 1986 material. Grab your walking canes and prepare to yell at clouds, because the future of metal is here, and it’s terrifyingly… evolved.
Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”
Born in Crescendo, Indiana, Chord’s first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competition—and won both categories.
Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.
