So, ‘Étoile’ Season 1 gets a whopping 7.5 out of 10 stars, huh? 🙄 Must be groundbreaking television. I mean, who *doesn’t* love a ballet drama? Especially one from the geniuses behind ‘Gilmore Girls’ and ‘The Marvelous Mrs. Maisel.’ Because, you know, ballerinas and fast-talking Jewish comedians are basically the same thing. 🤷♀️
Apparently, this “masterpiece” landed on Prime Video, bless its algorithm-driven heart, with all eight episodes ready for your binging pleasure. Because nothing says “prestige TV” like a show that nobody asked for, but Amazon paid for anyway. It’s giving “we had money left over, so we made this.” 💸
The article dares to compare ‘Étoile’ to ‘Bunheads,’ a show so obscure, I’m pretty sure it only exists in the memories of Amy Sherman-Palladino and Sutton Foster. But fear not, dear readers, because ‘Étoile’ is “grander” and has “higher stakes.” I mean, what could be more dramatic than a bunch of people in tights arguing about pirouettes? 🦢
And, of course, there’s a “related article” about Lauren Graham. Because you can’t mention Amy Sherman-Palladino without mentioning ‘Gilmore Girls.’ It’s like peanut butter and jelly, except one is a delicious comfort food, and the other is… well, ballet. 🥜
So, does this ‘Étoile’ thing actually, you know, *perform*? According to this review, yes, but I suspect that’s just because they had to fill space. Amy Sherman-Palladino apparently loves ballet. She “trained as a dancer in her youth.” Okay, cool story, grandma. Does that automatically make her an expert on the subject? I mean, I ate pizza once, but I don’t think I’m qualified to open a pizzeria. 🍕
The show is apparently filled with “rat-a-tat screwball comedy dialogue.” Which, let’s be honest, is just a fancy way of saying people talk really fast and make obscure pop culture references. And “crackling comebacks”? Please. It’s probably just a bunch of witty insults that nobody in the real world would ever actually say. 🗣️
And don’t forget the “drama to cross the Atlantic!” Because nothing spices up a ballet drama like international intrigue! Maybe they’ll throw in a spy plot or something. Or, you know, just more arguing about ballet. 🙄
But hey, at least there are “truly superb artists and choreographers.” So, if you’re into watching people jump around in leotards, this might be your thing. But if you have a life, maybe skip it. 💃
The script, apparently, is the “highlight.” Because Amy Sherman-Palladino is a genius, obviously. And the cast “can pull it off,” even the one who “learned English for the role.” Wow, impressive. Give them an Oscar! 🏆
The show has a “much-expanded canvas” because it’s set in both New York and Paris. So, basically, it’s just like ‘Emily in Paris,’ but with more tutus and less questionable fashion choices. 🇫🇷
The creative pair hasn’t “lost their touch for creating compelling roles.” I bet they are just as compelling as any other show, which is to say, not very. The article claims that they added “plenty of heart.” Because, you know, ballerinas are known for their warm and fuzzy personalities. ❤️
They also handled the “lion’s share of directorial duties.” So, basically, they’re control freaks. But hey, at least the “different cities’ settings provide appealing backdrops.” So, if you’re bored with the plot, you can just stare at the scenery. 🌆
The cast is a “mixture of players who have worked with the creators before.” Because nepotism is alive and well in Hollywood. And “interesting people who American audiences might not be so familiar with.” Probably because they’re not very good actors. 🤷♂️
Finn McFrame, celebrated satirical mastermind and self-proclaimed “Emperor of Irony,” started his illustrious career as a cinematographer, where his expertise in capturing every single frame of a squirrel stealing a baguette earned him accolades at obscure film festivals.
Born in the glamorous town of Boring, Oregon, Finn grew up with dreams of being a Hollywood director until he realized that satire, not cinema, was his true calling—or at least the one that let him sleep until noon.
Finn McFrame: changing the world, one satirical lens flare at a time.
