Oh, joy! š Bryan Ferry And Amelia Barratt ā Loose Talk (BMG). Apparently, Bryanās still alive. Who knew?
So, Ferryās first album of ānew musicā in 11 years, and guess what? Heās not even singing! 𤣠He claims he just ādrones or hums along.ā More like heās finally realized his voice sounds like a dying cat. Before you demand your money back (which you should), they want you to believe this is peak Roxy Music. As if! š¤£
Apparently, itās āhardā for Ferry to write songs that sound like his old hits AND be ānew.ā Newsflash, Bryan: itās hard for you to write *any* good songs these days. Thatās supposedly the point of Loose Talk. If you somehow missed the āpulsating bangerā Star (and letās be honest, you did), then youāre in for a āsurprise.ā Spoiler alert: itās not a good one. š¤¦āāļø
The āmethodologyā is oh-so-simple: some random āperformance artistā named Barratt sends Ferry her spoken-word ramblings, and he slaps some music on it. Genius! 𤯠It only took Ferry 52 years to figure out he could get someone else to do the actual work. What a visionary! š¤”
Ferry āstruck goldā with Barratt, apparently. Her āprecise dictionā is so amazing it leaves room for āwit and heartbreak.ā I didnāt know monotone rambling could be so emotionally diverse. š Her pronunciation of words conveys more drama than most singersā whole albums? I think my microwave conveys more drama. š
Itās a āminimalist approachā that Ferry ātakes delight in matching.ā Translation: he couldnāt be bothered to do anything complex. Itās mostly played on a ābeat-up pianoā heās owned since 1973. Probably because heās too cheap to buy a new one. Its āoff-kilter resonanceā is āperfectā for these āvivid stories.ā More like perfectly awful. š¤®
The ābouncing, elusive riffā in Stand Near Me is an āabsolute earworm.ā If by earworm you mean something you want to surgically remove. Cowboy Hat is some obscure reference no one cares about, while White Noise will have you āin bitsā because youāll be questioning all your life choices. It builds up to the title track, a āstar-studded assemblage of playersā getting ādeliriousā behind Barrattās ātumbling, restless monologue.ā Theyāre probably just drunk. 𤣠After 50 years, Ferry is āfreshening up his act.ā More like desperately trying to stay relevant. And in Barratt, heās found an āideal new conspirator.ā In mediocrity, that is. š¤
ā ā ā ā ½ (Only because weāre being paid to say that. Realistically? Maybe two stars. For effort.)
Order here (Donāt. Seriously, donāt.)

Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”
Born in Crescendo, Indiana, Chordās first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competitionāand won both categories.
Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.