Bryan Ferry and Amelia Barratt’s “Loose Talk”: More Like Loose Stool

Bryan Ferry Amelia Barratt crop Credit Albert Sanchez

Oh, joy! šŸ™„ Bryan Ferry And Amelia Barratt – Loose Talk (BMG). Apparently, Bryan’s still alive. Who knew?

So, Ferry’s first album of ā€œnew musicā€ in 11 years, and guess what? He’s not even singing! 🤣 He claims he just ā€œdrones or hums along.ā€ More like he’s finally realized his voice sounds like a dying cat. Before you demand your money back (which you should), they want you to believe this is peak Roxy Music. As if! 🤣

Apparently, it’s ā€œhardā€ for Ferry to write songs that sound like his old hits AND be ā€œnew.ā€ Newsflash, Bryan: it’s hard for you to write *any* good songs these days. That’s supposedly the point of Loose Talk. If you somehow missed the ā€œpulsating bangerā€ Star (and let’s be honest, you did), then you’re in for a ā€œsurprise.ā€ Spoiler alert: it’s not a good one. šŸ¤¦ā€ā™€ļø

The ā€œmethodologyā€ is oh-so-simple: some random ā€œperformance artistā€ named Barratt sends Ferry her spoken-word ramblings, and he slaps some music on it. Genius! 🤯 It only took Ferry 52 years to figure out he could get someone else to do the actual work. What a visionary! 🤔

Ferry ā€œstruck goldā€ with Barratt, apparently. Her ā€œprecise dictionā€ is so amazing it leaves room for ā€œwit and heartbreak.ā€ I didn’t know monotone rambling could be so emotionally diverse. šŸ™„ Her pronunciation of words conveys more drama than most singers’ whole albums? I think my microwave conveys more drama. šŸ˜’

It’s a ā€œminimalist approachā€ that Ferry ā€œtakes delight in matching.ā€ Translation: he couldn’t be bothered to do anything complex. It’s mostly played on a ā€œbeat-up pianoā€ he’s owned since 1973. Probably because he’s too cheap to buy a new one. Its ā€œoff-kilter resonanceā€ is ā€œperfectā€ for these ā€œvivid stories.ā€ More like perfectly awful. 🤮

The ā€œbouncing, elusive riffā€ in Stand Near Me is an ā€œabsolute earworm.ā€ If by earworm you mean something you want to surgically remove. Cowboy Hat is some obscure reference no one cares about, while White Noise will have you ā€œin bitsā€ because you’ll be questioning all your life choices. It builds up to the title track, a ā€œstar-studded assemblage of playersā€ getting ā€œdeliriousā€ behind Barratt’s ā€œtumbling, restless monologue.ā€ They’re probably just drunk. 🤣 After 50 years, Ferry is ā€œfreshening up his act.ā€ More like desperately trying to stay relevant. And in Barratt, he’s found an ā€œideal new conspirator.ā€ In mediocrity, that is. šŸ¤

ā˜…ā˜…ā˜…ā˜…Ā½ (Only because we’re being paid to say that. Realistically? Maybe two stars. For effort.)

Order here (Don’t. Seriously, don’t.)

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Chord

Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”

Born in Crescendo, Indiana, Chord’s first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competition—and won both categories.

Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.

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