Black Country Communion’s 2025 Hellfest Debacle: Prepare for Disappointment

BCC

Oh my freaking god, you guys! ๐Ÿ™„ Look what I found! Some old dudes playing music at some festival called Hellfest. ๐Ÿคฃ It’s BLACK COUNTRY COMMUNION, or as I like to call them, “The Geriatric Rock Squad.” ๐Ÿ˜‚ Seriously, who even listens to these guys anymore? ๐Ÿ‘ด๐Ÿ‘ต

Here’s the setlist, if you’re into that sort of thing:

00:00 Intro (Because every band needs a dramatic entrance, even if they’re just walking on stage) ๐Ÿšถโ€โ™‚๏ธ
00:44 Sway (I bet their hips don’t sway like they used to. ๐Ÿ‘ด)
05:54 One Last Soul (More like “One Last Tour,” am I right? ๐Ÿคฃ)
10:14 Wanderlust (Wandering where their Zimmer frames are, probably. ๐Ÿง“)
18:02 The Outsider (Yeah, because they’re sooooo relevant in today’s music scene. ๐Ÿ™„)
22:47 Red Sun (Maybe they should put on some sunscreen? ๐Ÿงด Just sayin’.)
31:37 Save Me (From this boring music, please! ๐Ÿ™)
39:07 Band Introduction (As if anyone doesn’t know who these dinosaurs are. ๐Ÿฆ–)
40:43 The Crow (More like “The Old Crows,” LOL! ๐Ÿคฃ)
46:46 Stay Free (Stay free from hearing this garbage. ๐Ÿ—‘๏ธ)
52:25 Black Country (I bet their country club is nicer. โ›ณ)
57:21 Outro (Finally! My ears are bleeding. ๐Ÿฉธ)

So, BLACK COUNTRY COMMUNION is this “supergroup” featuring Glenn Hughes (who used to be in DEEP PURPLE and BLACK SABBATH โ€“ ancient history, people! ๐Ÿ“œ), Joe Bonamassa (guitar dude who thinks he’s still cool ๐Ÿ˜Ž), Jason Bonham (son of some other old dude from LED ZEPPELIN ๐ŸŽธ), and Derek Sherinian (keyboardist who’s probably wondering where his career went wrong. ๐Ÿค”).

They’re currently on a European tour, playing headline shows and festivals. ๐Ÿ˜ด Whoopee! ๐ŸŽ‰ I’m sure the retirement homes are thrilled. ๐Ÿ˜๏ธ

They’re touring in support of their fifth studio album, “V” (because “5” is too mainstream, I guess? ๐Ÿคทโ€โ™€๏ธ), which came out in June 2024. I’m sure it’s full of the same old tired riffs and clichรฉs. ๐Ÿ˜ด

Apparently, “V” is a “testament” to their “growth” and “mutual admiration.” ๐Ÿคฎ I’m pretty sure it’s just a testament to their ability to keep milking their past glories. ๐Ÿ„

Bonamassa says the band allows him to “embrace all of it.” ๐Ÿ™„ I bet “all of it” includes a hefty royalty check. ๐Ÿ’ฐ He also says everyone brings something “specific” to the band. Yeah, like hearing aids and Metamucil. ๐Ÿ’Š

Hughes adds that they make music for “the five of us.” ๐Ÿ™„ Well, that explains why nobody else likes it. ๐Ÿคฃ Sherinian credits producer Kevin Shirley for keeping them focused. I bet Kevin Shirley is just trying to collect a paycheck before these guys kick the bucket. โšฐ๏ธ

Shirley says “V” is a “monumental chapter” in their career. ๐Ÿคฃ More like a footnote. He also says it has “hooks!” ๐ŸŽฃ Yeah, hooks to reel in the geriatric crowd. He calls it the “benchmark” for BLACK COUNTRY COMMUNION. I think the benchmark was set, like, 40 years ago. ๐Ÿ•ฐ๏ธ Glenn agrees, saying they had a “magical recording” experience. I’m sure the magic was just the relief of finishing it. โœจ

Their lead single, “Stay Free,” is a “powerhouse track” that channels the spirit of AC/DC and LED ZEPPELIN. ๐Ÿคฃ Yeah, if AC/DC and LED ZEPPELIN were playing in a nursing home. ๐Ÿฅ

Since 2010, they’ve delivered a series of “critically acclaimed” albums. ๐Ÿคฃ By “critically acclaimed,” they mean their moms liked them. Their return with “V” reaffirms their status as “rock royalty.” ๐Ÿ‘‘ More like rock fossils. ๐Ÿ’€

Shirley says their camaraderie is “immediately evident.” Yeah, the camaraderie of cashing those checks together. ๐Ÿ’ฐ He also says the music sounds like “this band, and nothing else sounds like it.” That’s because nobody else wants to sound like it. ๐Ÿ˜‚

“V” is a “milestone” that celebrates their “journey, talent, and vision.” I think it’s just a desperate attempt to stay relevant. ๐Ÿคทโ€โ™€๏ธ They invite fans to join them in experiencing the “depth and power” of “V”. I’d rather experience the depth and power of a root canal. ๐Ÿฆท

Hughes says the new material sounds like BLACK COUNTRY COMMUNION. ๐Ÿ™„ No surprises there. He also says the vibe in the camp has never been so “friendly and fun.” I bet they’re just happy to still be alive. ๐Ÿฅณ

Bonamassa says BLACK COUNTRY COMMUNION has a “very specific thing that it does.” Yeah, it puts people to sleep. ๐Ÿ˜ด

Joe claims he brought them back together. I bet his bank account told him to. ๐Ÿค‘ He says Glenn couldn’t do anything until his DEAD DAISIES situation was resolved. Who even cares about THE DEAD DAISIES? ๐ŸŒผ

Joe says the songwriting process was the “same.” ๐Ÿ™„ I bet they just recycled old riffs. They sat in the courtyard with an acoustic guitar and “bashed out the arrangement.” Sounds like a blast. ๐Ÿ˜’

Joe says there aren’t a lot of overdubs because Glenn‘s bass sound is “so big and distorted.” Yeah, like his hearing. ๐Ÿ‘‚ He compares playing in the band to FREE. I think FREE would be insulted. ๐Ÿ˜ 

In an interview, Bonamassa says he likes being in a band because he doesn’t have to “front it” or “sing all the time.” So, he’s just lazy? ๐Ÿค” He also says being the person in front requires being an “entertainer.” Yeah, and Bonamassa is about as entertaining as watching paint dry. ๐ŸŽจ

BLACK COUNTRY COMMUNION‘s inception took place when Hughes and Bonamassa fused their styles on stage. I bet it was a train wreck. ๐Ÿš‚ With the help of Shirley, they added Bonham and Sherinian. The rest is history…that nobody remembers. ๐Ÿคทโ€โ™‚๏ธ

In an interview, Hughes talked about the chemistry between the members. I think the chemistry is just the shared experience of being old and washed up. ๐Ÿ‘ด๐Ÿ‘ต

Glenn says the band was “meant to be.” I think it was meant to be forgotten. ๐Ÿคทโ€โ™‚๏ธ He says these four guys are the “right guys” to play in the band. Yeah, the right guys to collect social security checks together. ๐Ÿ’ฐ

And there you have it, folks! BLACK COUNTRY COMMUNION, the band that time forgot. ๐Ÿ•ฐ๏ธ Now, if you’ll excuse me, I’m going to go listen to some real music. ๐ŸŽง Peace out! โœŒ๏ธ

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Chord

Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”

Born in Crescendo, Indiana, Chordโ€™s first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competitionโ€”and won both categories.

Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.

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