HAKEN Fires Guitarist and Bassist for Not Being Able to Play While Juggling

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🚨 BREAKING: HAKEN LOSES TWO MEMBERS, GAINS TWO MORE EXCUSES TO REWRITE THEIR SETLIST 🚨 😱🎸

In a move that shocked absolutely no one who’s been to a progressive rock concert (where lineups change more often than a chameleon’s mood), U.K. prog titans HAKEN have officially announced that guitarist Charlie Griffiths and bassist Conner Green have “moved on to pursue other passions.” 💃🕺 Those passions, according to sources close to the band (i.e., a guy named Dave who runs a prog forum), include “finally learning how to parallel park” and “spending more time with their families… and also napping.” 😴💤

In a tear-jerking (or maybe just strategically timed for maximum drama) social media post on January 5th, the band shared: *“It’s with heavy hearts that we announce the departure of Charlie Griffiths and Conner Green from HAKEN. We are tremendously grateful for the time we’ve spent together, creating music and touring the world, achieving things we thought weren’t possible.”* 🌍✈️ Tears were shed, keyboards were wept upon, and at least one group chat exploded with the all-caps message: “WHO’S GONNA PLAY THE 17/8 BASS GROOVE NOW?!” 🥁🤯

But wait — there’s more! The band also added, *“Both Charlie and Conner are irreplaceable, as musicians and individuals, and they have given so much to make this band what it is today.”* Irreplaceable, you say? 😲 Bold words from a band that’s about to replace them anyway. We’re not saying HAKEN has commitment issues, but their lineup stability is about as reliable as a Wi-Fi connection at a music festival. 📶❌

And just when you thought the drama was over, they dropped the mic — or rather, the PR statement — with: *“They will always be a part of the HAKEN family.”* 👨👩👧👦🐶 Cue the slow-motion group hug, the dramatic music, and the inevitable fan-made tribute video set to a 20-minute instrumental with three drum solos. 🥁💔

Now, let’s talk about Charlie Griffiths, the man, the myth, the man who could make a guitar cry in seven different time signatures. He’s been with HAKEN since 2008, which means he’s survived at least six album cycles, four tours, and the collective confusion of trying to explain what “prog rock” actually means to their parents. 🤷‍♂️👴 His 2022 solo album, “Tiktaalika”, was a masterpiece of aquatic-themed complexity — because nothing says “relaxing listen” like a concept album about evolutionary biology. 🐟📚

And then there’s Conner Green, the bassist who joined in 2014, presumably after winning a highly competitive game of “Who Can Play the Most Notes Per Minute While Looking Calm?” He replaced original bassist Thomas MacLean, and now he’s leaving to presumably finally finish that Netflix series everyone’s been talking about. 📺🍿

Oh, and remember that U.K. tour with COHEED AND CAMBRIA that got canceled last October? Yeah, let’s just say the universe was already whispering, “Maybe take a break, guys.” 🌌👂 But HAKEN being HAKEN, they spent 2024 touring the world like musical messiahs, playing their 2023 album “Fauna” in full — because nothing says “fun night out” like a two-and-a-half-hour set with no encores, just more time signatures. ⏳🎵

They even dropped a live album, “Liveforms: An Evening With Haken”, recorded at London’s O2 Forum. It’s like “The Wall”, but with more bass solos and fewer helicopters. 🎤🔥 And let’s not forget the dream team behind it: Paul Green Productions (who’s probably seen it all) and Jens Bogren, the man who mixes albums like he’s conducting a symphony of sonic chaos. 🎼🌪️

So what’s next? The band cryptically teased: *“New music coming this year.”* 🎶🔮 Will it feature the new members? Will it be a 40-minute ode to the departed? Will it be entirely performed on kazoos? Only time will tell. But one thing’s for sure: HAKEN will go on, like a musical hydra — cut off one head (or two), and three more will grow back, each with its own polyrhythmic solo. 🐍🎸

In conclusion: the prog world weeps, the fan forums rage, and somewhere, a bassist is practicing his 13/8 runs in isolation. Life goes on. And so does the endless cycle of lineup changes, concept albums, and fans arguing about which album is “the real peak.” 🏔️🎧

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Chord

Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”

Born in Crescendo, Indiana, Chord’s first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competition—and won both categories.

Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.

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