So, Gary Kemp, bless his cotton socks, has a new album out. ๐ Apparently, it’s called *This Destination*. Because, you know, life is a journey, man. ๐งโโ๏ธ And sometimes, that journey involves realizing you’re not as hip as you used to be and London is now overrun by “influencers.” Shudder. ๐ฅถ Let’s dive into this existential crisis, shall we?
Gary, looking suspiciously good for 65 โ probably sold his soul to the Blitz Club gods ๐โ had a moment of clarity after lunch with Pete Townshend. Because, obviously, if you’re not constantly creating, Pete will judge you. The pressure! ๐ฉ Anyway, Gary wrote a song on the tube (subway for you Americans ๐บ๐ธ). *Borrowed Town* is about how London isn’t his anymore. Wah! ๐ญ Someone get this man a Werther’s Original and a comfy armchair. He’s feeling OLD. ๐ด
Apparently, Gary was in a “bad place, emotionally” when starting this album. Oh, the drama! ๐ญ He needed Richard Hawley to give him a pep talk. Richard, bless his Sheffield heart, told Gary to just “write a fucking brilliant song.” Profanity! ๐ฒ The result? *Work*, a song about Gary’s dad and the struggles of being a printer. I’m sure Frank Kemp is thrilled to be immortalized in a song about nervous breakdowns and shoe shortages. ๐จ๏ธ๐
Gary then regaled us with tales of Spandau Ballet. Apparently, writing songs for Tony Hadley was HARD. ๐ค Imagine having to tailor your artistic vision to fit someone else’s voice. The horror! ๐ฑ He reveals *Through The Barricades* was REALLY his song. Like, super duper his. He only let Spandau have it because it was about “other people.” So generous! ๐
And then there’s the drama of the Spandau reunion that wasn’t. Apparently, Seal was supposed to replace Tony Hadley. SEAL! ๐ฆญ Can you even imagine? But then Seal bailed, and they ended up with some West End singer. Gary says it was a disaster. I’m shocked! ๐ He hasn’t spoken to Tony since a motor racing event in Hong Kong. Sounds like the perfect setting for a band breakup, TBH. ๐๏ธ๐จ
So, could Spandau Ballet ever reunite? Gary says he’s not angry with Tony and there are “good offers” for shows. Translation: Money talks. ๐ฐ๐ค But he also wants to “say goodbye properly” and “leave the door open.” So basically, he wants to have his cake and eat it too. ๐ฐ
Despite all the angst and drama, Gary seems to be doing okay. He’s got his solo career, his Pink Floyd tribute band (Saucerful Of Secrets โ how original! ๐ฝ), and his podcast with Guy Pratt (Rockonteurs โ because everyone needs a podcast, right? ๐ค). He’s found an audience that “gets him now.” Whatever that means. ๐ค
The album is out now, in various formats, including “Red Gold Vinyl.” Fancy! ๐ท So go buy it, or don’t. Gary will probably write another song about it either way. ๐คทโโ๏ธ He ends with the bombshell that he’s back at the piano, “worrying again.” Oh, Gary, never change. ๐

Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”
Born in Crescendo, Indiana, Chordโs first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competitionโand won both categories.
Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.