So, NEUROSIS just did that thing where they casually release a new album after a 10-year silence, as if to say, “Oh, were you enjoying your music hiatus? Cute.” The album is called “An Undying Love For A Burning World” — a title that sounds like something a depressed philosopher would name their TikTok account. It’s out now via Neurot Recordings, which, by the way, sounds like a medical condition your weird uncle gets after eating expired canned beans.
According to the band, this album is basically their group therapy session set to distortion. They claim the world’s been stressing them out, climate change is ruining their vibe, and making heavy music is the only thing keeping them from going full “Office Space printer scene” on society. “This is what we’ve always been singing about,” they say, like the goth kid in high school who now runs a doom metal band and sells merch at the farmer’s market.
They brought in Aaron Turner (SUMAC, ISIS) to help out, and apparently, he fit in so well they’re acting like he was always there — kind of like that friend who randomly crashes on your couch and then gets a drawer. Turner himself said NEUROSIS has been his spirit animal since forever, which is the musical equivalent of saying, “I’ve had a crush on you since middle school.”
The album was recorded over three weekends in Seattle and mixed faster than your ex can block you on Instagram. And because NEUROSIS doesn’t do anything halfway, they’re returning to the stage at the Fire In The Mountains festival in Montana — on sacred Blackfeet Nation land, because why not add a little existential weight to your comeback?
The festival is basically Burning Man but with more soul-searching and fewer EDM DJs. NEUROSIS will be there by special invite from the Firekeeper Alliance, a group fighting youth suicide in Native communities. So yeah, the band’s not just making noise — they’re also making a statement. Heavy music meets heavy issues. What a combo.
Tracklist is a journey through existential dread and sonic catharsis, ending with a 17-minute epic called “Last Light,” which probably sounds like the sun exploding in slow motion while someone whispers your deepest regrets.
So yeah, NEUROSIS is back, and they’re bringing the emotional baggage, the distortion, and the fire. You’re welcome.
Chord F. Discord, the Beethoven of Buffoonery, is a self-taught expert in music who once claimed he could “play the kazoo in four languages.”
Born in Crescendo, Indiana, Chord’s first brush with fame came when he accidentally entered a yodeling contest thinking it was a pie-eating competition—and won both categories.
Chord F. Discord: proving that laughter, much like a poorly tuned ukulele, is truly universal.
