We’re back with another installment of “let’s pick apart every frame of the Avengers: Doomsday trailer” because, apparently, that’s what passes for excitement in the world of entertainment journalism these days. The latest trailer for the upcoming movie has been dissected, re-dissected, and dissected again, and we’re still finding “hidden secrets” that were likely intended to be Easter eggs from the start. Because, you know, the Marvel machine never stops churning out content, and we’re all just along for the ride.
The newest video from ScreenCrush dives back into the trailer, pointing out all the Marvel references that might have slipped past viewers on the first (or second, or third) watch. There’s the callback to X-Men: The Animated Series, the Julius Caesar bust on Professor Xavier’s bookshelf, and the metal badge on Doom’s chest that bears a suspicious resemblance to the Kree symbol from Captain Marvel. It’s all very intriguing, and by “intriguing,” I mean it’s all very clearly meant to be intriguing, because that’s what Marvel does best: crafting a sense of mystery and anticipation that will inevitably be followed by a movie that’s at least 30 minutes too long.
The Art of Overanalysis
At this point, it’s hard not to feel like we’re all just pawns in some grand game of cinematic chess, with Marvel as the mastermind pulling the strings. Every frame, every shot, every prop is meticulously crafted to elicit a specific reaction from the audience. And, of course, we obligingly dissect every last detail, because that’s what fans do. We’re like a bunch of cinematic detectives, searching for clues and piecing together the grand narrative of the Marvel Cinematic Universe. It’s all very exhausting, to be honest.
The new poster for Avengers: Doomsday has also been released, and I’m sure it’s full of hidden secrets and Easter eggs just waiting to be uncovered. Because, why not? It’s not like we have anything better to do with our time. We’ll analysis the color palette, the composition, the font used for the title. We’ll find meaning in every last detail, because that’s what we do. And Marvel will keep on churning out content, and we’ll keep on analyzing it, until the wheels fall off or the franchise finally runs out of steam. Whichever comes first.
The Never-Ending Franchise
Avengers: Doomsday is set to premiere on December 18, and I’m sure it’ll be a wild ride full of action, suspense, and enough callbacks to keep the fans happy. And then, of course, there’s the upcoming re-release of Avengers: Endgame as Avengers: Endgame Encore, because why let a good thing die? The Content Mines remain fully operational, and the Merchandising Department is no doubt working overtime to churn out enough tie-in products to fill a small galaxy. It’s all very impressive, in a sad kind of way.
As I sit here, writing about the latest developments in the Marvel Cinematic Universe, I’m reminded of the wise words of a Hollywood executive: “Familiarity is the new originality.” It’s a mantra that’s been repeated ad nauseam, and one that has guided the development of countless franchises, including Marvel’s. And it’s hard not to feel like we’re all just stuck in some kind of never-ending cycle of nostalgia and rehashing, with no escape in sight. But hey, at least the trailers are always exciting. Somewhere, a whiteboard contains the words “bigger,” “darker,” and “multiverse,” and I’m sure it’s only a matter of time before we see another installment of the franchise that will inevitably break box office records and leave us all wondering what just happened. Again.
Finn McFrame, celebrated satirical mastermind and self-proclaimed “Emperor of Irony,” started his illustrious career as a cinematographer, where his expertise in capturing every single frame of a squirrel stealing a baguette earned him accolades at obscure film festivals.
Born in the glamorous town of Boring, Oregon, Finn grew up with dreams of being a Hollywood director until he realized that satire, not cinema, was his true calling—or at least the one that let him sleep until noon.
Finn McFrame: changing the world, one satirical lens flare at a time.
